1.0Mathematical 7https://mathematical7.com/m7An Eagle in Nollywood - Day 4 - Mathematical 7rich600338<blockquote class="wp-embedded-content" data-secret="WfH8MmMg6n"><a href="https://mathematical7.com/m7/an-eagle-in-nollywood-day-4/">An Eagle in Nollywood – Day 4</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://mathematical7.com/m7/an-eagle-in-nollywood-day-4/embed/#?secret=WfH8MmMg6n" width="600" height="338" title="“An Eagle in Nollywood – Day 4” — Mathematical 7" data-secret="WfH8MmMg6n" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://mathematical7.com/m7/wp-content/uploads/2021/01/Ayinla_Shooting_864.jpg864486Abeokuta, a town under siege! The curtains are drawn. The filming of Ayinla has been finally put to bed. It lasted 3 grueling weeks. For me, however, by the time filming ended on Christmas day, it had only being my fifth full day on the set of what would produce my moment of glory, my final baptism into Nollywood. On Boxing Day, at my insistence, Tunde Kelani (TK), immediately went into 'self-isolation' to catch his breathe, catch up with sleep and recover from the mixed bag of the good and the ugly of experiences whilst filming. Stress and satisfaction found common ground on this his most challenging of works. Filming in the midst of a global pandemic cannot be anything but a challenge of monstrous proportions.